We upload weekly lecture notes for you, as well as other useful documents for your filmmaking needs. Check the GOODIES box on the top right hand corner regularly to grab course material from us.
If you want to contact us, plz email:
DRAY: dray.svoboda@ait.nsw.edu.au
PATRICK: patrick@ait.nsw.edu.au
Happy filming! =]
Best Christmas Movie

Dear All,
Since it's Christmas, I am giving you a list of best Christmas movies.Just in case you and your family want to watch some great movie on Christmas' Eve.
Miracle on 34th Street
Nightmare before Christmas
Home Alone 1 & 2
The Polar Express
Die Hard (Trust me, the 1st one took place during Christmas...celebrated with bullets and blood.)
Anyway, I wish ya all a Merry Christmas & a Happy New Year.
-Dray & Patrick
3376_LittleMissSunshine trailer

412_Dawn of Dead_Trailer

There is a small mistake when exporting this trailer, the last 5 sec were missing. Might up load it again when i fix it.
412-Steven-Reign of Assassin

Banana Face - a film by Digital Filmmaking B

In week 5, we made this little practice about how to film a two-person dialogue. It's brief but we enjoyed making it. This clip is filmed by Digital Filmmaking B Class, directed by Ron and edited by Patrick.
WEEK 6: SCHEDULING
WEEK 5: FILM EQUIPMENT HANDLING
AV access denied!

We have no access to AV editing, as posted on JIVI.
Would be possible to upload the movies on medialab, so we can start working on our assignments, please?
Thanks!
3845_Inception

Inception is a film written, directed and produced by Christopher Nolan, which portrays the trials and tribulations of a “corporate espionage” spy. Set in a contemporary time, it possesses great cinematography and complex themes and concepts.
There are two worlds which are portrayed by Nolan, exploring the “real” world versus the complications of the “surreal”, where in this case is signified by the dream state. There are various motifs used throughout the film which create clear depictions as to which state the scene is portraying.
The first scene sets this surrealistic emphasis of the film, creating an eerie surreal aspect through the use of an echoed soundtrack of the kid’s voices in the background. Further use of a dissonant ambient soundtrack is also used all throughout the film, creating this sense of surrealism and ascertaining to a sense of urgency as time is slowed and further complication within a situation is comprehended. This distorted and dissonant soundtrack used as a motif to portray a current surreal state or setting. A sense of mystery is also created, with the use of a long shot of the kid’s from behind, emphasising a notion of questioning.
Contrast between transposing scenes are also used to create this notion of surrealism the director is trying to explore. There are major differences between the transitions of scenes, an example being the dissimilarity between the scenes where there seemed to be a peaceful high class dinner party, presented with a mixture of colonial-imperial Chinese theme, juxtaposed to a South American revolutionary movement shown within an a rundown apartment building with prevalent anarchy within the background. This juxtaposition and contrast between scenes also creates for a faster paced progression of the film.
There are also motifs used to differentiate current states of surrealism and reality. “Totems” are key items of symbolism, which create the inclinations between the setting of the scene, signifying if it is within a dream state or the real world.
Little miss sunshine_3376

3376_baraka

Finally here... =)
Eat Pray Love - 3784

Based on the book of same name by Liz Gilbert, I would say the movie lacks the emotions which readers of the book experience.
WEEK 4: THE ART OF STORYBOARDING

Baraka_3770

Huhuhu...Enjoy~!
REMINDER: PROPOSALS DUE!
WEEK 3: COMMUNICATING YOUR IDEA

Good day little monsters!
So.. This week we went through idea development and the seven C's of story elements.
The Seven C's are:
Character
Conflict
Conduct
Conditions
Context
Crutch
Configuration
Then we also went through some rules in class that you SHOULD consider for your short film. Again (for revision) these are:
Rule #1: Structure yourself around your item.
Rule #2: A flawed protagonist is more compelling than a perfect protagonist.
Rule #3: Have a strong BUT.
Rule #4: Show, don't tell.
Rule #5: Start late.
Rule #6: 1 screenplay page = 1 minute of screen time.
Rule #7: Make it shorter.
Rule #8: Good writing is good rewriting.
Rule #9: Read it aloud.
Then during our screenplay activity, we read a scene from Full Metal Jacket and acted it out, and hopefully next week we will do the same with the storyboard activity. Yay =]
Also the final rule for idea development:
Rule #10: Negative feedback is constructive feedback.
This means, if you show us your proposal and we tell you that you should change something or make it better... Think of it as help - We aren't telling you that it sucks. This is why we want you guys to send us proposals soon (Actually, ASAP) so we can give you feedback early on and you can focus on making your story better.
See you guys next week! Don't forget to attend tutorial because you will have your Assignment 1 briefing then.
Yours truly,
Captain Dray & Captain Patrick
Useful Keyboard Shortcuts

Keys for selecting tools
Result | Shortcut (Windows and Mac OS) |
---|---|
Selection tool | V |
Track Select tool | A |
Ripple Edit tool | B |
Rolling Edit tool | N |
Rate Stretch tool | X |
Razor tool | C |
Slip tool | Y |
Slide tool | U |
Pen tool | P |
Hand tool | H |
Zoom tool | Z |
Keys for Titles
Result | Windows shortcut | Mac OS shortcut |
---|---|---|
Arc tool | A | A |
Decrease kerning by five units | Alt + Shift + Left Arrow | Option + Shift + Left Arrow |
Decrease kerning by one unit | Alt + Left Arrow | Option + Left Arrow |
Decrease leading by five units | Alt + Shift + Down Arrow | Option + Shift + Down Arrow |
Decrease leading by one unit | Alt + Down Arrow | Option + Down Arrow |
Decrease text size by five points | Ctrl + Alt + Shift + Left Arrow | Command + Option + Shift + Left Arrow |
Decrease text size by 1-point | Ctrl + Alt + Left Arrow | Command + Option + Left Arrow |
Ellipse tool | E | E |
Increase kerning by five units | Alt + Shift + Right Arrow | Option + Shift + Right Arrow |
Increase kerning by one unit | Alt + Right Arrow | Option + Right Arrow |
Increase leading by five units | Alt + Shift + Up Arrow | Option + Shift + Up Arrow |
Increase leading by one unit | Alt + Up Arrow | Option + Up Arrow |
Increase text size by five points | Ctrl + Alt + Shift + Right Arrow | Command + Option + Shift + Right Arrow |
Increase text size by 1-point | Ctrl + Alt + Right Arrow | Command + Option + Right Arrow |
Insert copyright symbol | Ctrl + Alt + Shift + C | Command + Option + Shift + C |
Insert registered symbol | Ctrl + Alt + Shift + R | Command + Option + Shift + R |
Line tool | L | L |
New title | Ctrl + T | Command + T |
Nudge selected object 5 pixels down | Shift + Down Arrow | Shift + Down Arrow |
Nudge selected object 1 pixel down | Down Arrow | Down Arrow |
Nudge selected object 5 pixels to the left | Shift + Left Arrow | Shift + Left Arrow |
Nudge selected object 1 pixel to the left | Left Arrow | Left Arrow |
Nudge selected object 5 pixels to the right | Shift + Right Arrow | Shift + Right Arrow |
Nudge selected object 1 pixel to the right | Right Arrow | Right Arrow |
Nudge selected object 5 pixels up | Shift + Up Arrow | Shift + Up Arrow |
Nudge selected object 1 pixel up | Up Arrow | Up Arrow |
Pen tool | P | P |
Position objects to the bottom title-safe margin | Ctrl + Shift + D | Command + Shift + D |
Position objects to the left title-safe margin | Ctrl + Shift + F | Command + Shift + F |
Position objects to the top title-safe margin | Ctrl + Shift + O | Command + Shift + O |
Rectangle tool | R | R |
Rotation tool | O | O |
Selection tool | V | V |
Type tool | T | T |
Vertical Type tool | C | C |
Wedge tool | W | W |
Keys for the Source Viewer
Result | Shortcut (Windows and Mac OS) |
---|---|
Navigate through editable fields | Tab |
Cancel capture | Esc |
Eject | E |
Fast forward | F |
Go to In point | Q |
Go to Out point | W |
Record | G |
Rewind | R |
Step back | Left Arrow |
Step forward | Right Arrow |
Stop | S |
Keys for the Timeline
Result | Windows shortcut | Mac OS shortcut |
---|---|---|
Clear In and Out points | G | G |
Clear In point | D | D |
Clear selection | Backspace | Delete |
Clear Out point | F | F |
Edit audio or video In point or Out point independently | Alt-drag In point or Out point | Option-drag In point or Out point |
Go to In point | Q | Q |
Go to Out point | W | W |
Go to next edit point | Page Down | Page Down |
Go to previous edit point | Page Up | Page Up |
Go to selected clip end | Shift + End | Shift + End |
Go to selected clip start | Shift + Home | Shift + Home |
Go to sequence end (when a Timeline panel is active) | End | End |
Go to sequence start (when a Timeline panel is active) | Home | Home |
Play from current-time indicator to Out point | Ctrl + Spacebar | Ctrl + Spacebar (English keyboards only) |
Play In to Out with preroll/postroll | Shift + Spacebar | Shift + Spacebar |
Toggle Play/Stop | Spacebar | Spacebar |
Play forward at fast speed | Hold down Shift while pressing L repeatedly until playing at the desired speed. Release Shift. | Hold down Shift while pressing L repeatedly until playing at the desired speed. Release Shift. |
Play forward at normal speed | L | L |
Play forward one frame at a time | Hold K while pressing L | Hold K while pressing L |
Play forward slowly (eight fps) | Hold down K + L | Hold down K + L |
Play in reverse at fast speed | Hold down Shift while pressing J repeatedly until playing at the desired speed. Release Shift. | Hold down Shift while pressing J repeatedly until playing at the desired speed. Release Shift. |
Play in reverse at normal speed | J | J |
Play in reverse one frame at a time | Hold K while pressing J | Hold K while pressing J |
Play in reverse slowly (eight fps) | Hold down K + J | Hold down K + J |
Reveal nested sequence | Shift + T | Shift + T |
Ripple delete | Alt + Backspace | Option + Delete |
Set In point | I | I |
Set next available numbered Timeline marker | Shift + * (use the numeric keypad) | Shift + * (use the numeric keypad) |
Set Out point | O | O |
Set unnumbered marker | * (use the numeric keypad) | * (use the numeric keypad) |
Show next screen | Down Arrow | Down Arrow |
Show previous screen | Up Arrow | Up Arrow |
Shuttle slow left | Shift + J | Shift + J |
Shuttle slow right | Shift + L | Shift + L |
Shuttle stop | K | K |
Slide clip selection 5 frames to the left | Alt + Shift + Left Arrow | Option + Shift + Left Arrow |
Slide clip selection one frame to the left | Alt + Left Arrow | Option + Left Arrow |
Slide clip selection 5 frames to the right | Alt + Shift + Right Arrow | Option + Shift + Right Arrow |
Slide clip selection one frame to the right | Alt + Right Arrow | Option + Right Arrow |
Slip audio or video independently | Alt-drag the audio or video portion of the clip with the Selection tool | Option-drag the audio or video portion of the clip with the Selection tool |
Step back | Left Arrow | Left Arrow |
Step back 5 frames/units | Shift + Left Arrow | Shift + Left Arrow |
Step forward | Right Arrow | Right Arrow |
Step forward 5 frames/units | Shift + Right Arrow | Shift + Right Arrow |
Trim | T | T |
Zoom in/out to/from full-sequence view | \ | \ (English keyboards only) |